Jeffery Deaver on The Demonologist

So you finish a novel.  And then what happens is, even prior to publication, early readers get their hands on it (or have it thrust into their hands).  They read it.  Simple, right?  Yes.  But also nerve-wracking, because these early readers are often professional readers who know their stuff.  Leading booksellers, critics, successful authors.  When one takes the time to read your not-yet-officially-in-existence book and then ends up liking it?  I’m telling you, it lets you take a breath or two of untroubled air.  One more person in the world who doesn’t think you’re nuts!

So – deep breath – I’m pleased to share the kind words from the internationally bestselling mystery and thriller author (and also recent new James Bond writer) Jeffery Deaver on The Demonologist:

“Richly crafted, deliriously scary and compulsively page-turning from beginning to end.  Imagine The Exorcist and The Da Vinci Code as penned by Daphne du Maurier.  Don’t miss this one!”  – Jeffery Deaver

 

The Demonologist’s Screenwriter

As the entertainment news site Vulture is reporting today, Universal and ImageMovers (Robert Zemeckis’ production company) have hired a screenwriter to adapt my forthcoming novel, The Demonologist.  And it’s an amazing choice.

The Demonologist Has a Screenwriter – Vulture

Robert Schenkkan is a playwright, actor and writer for both TV and screen.  He’s won the Pulitzer Prize for his play, The Kentucky Cycle, and has been twice-nominated for an Emmy for his work on the HBO mini-series, The Pacific.

As for adaptations, he wrote the pitch perfect The Quiet American (from the novel by Graham Greene, a hero of mine).  His screenplay for The Conscientious Objector is currently in production.

 

The Cover!

Below, I give you the cover design for the Canadian and US edition of The Demonologist.  The texture and colour and striking simplicity articulates the book so lusciously, I’m in debt to its designers, Jackie Seow and Esther Paradelo, at Simon & Schuster, for such great work.

What’s also cool about it is that the hardcover will feature a cut-out of one of the o’s, which will have an eye looking out from within.  If you pull the flap back, you will see that the eye belongs to a girl – Tess, the protagonist’s daughter – cast against a classically hellish landscape.  I’m planning on blowing that one up as a poster and putting it on the office wall.  It’ll do the same job that those sappy “INSPIRATION” posters do for others.

When Will THE DEMONOLOGIST Be Born?

There may yet be some changes to come, but it seems that the pub dates for The Demonologist are firming up.  Currently, Simon & Schuster is planning to publish on March 5, 2013, simultaneously in Canada and the US.  And Orion has set the novel for May 2, 2013 in the UK.  Still a ways off, in normal human anticipation-of-future-events terms, but right around the corner in publishing terms.  Certainly close enough to pre-order the book from your favourite bookstore so that it’s waiting for you, with a devilish grin, when it arrives hot off the press…

The Demonologist – UK Cover

The publication date may not be entirely settled yet (it will be some time in the first months of 2013) and there may yet be some tweaks to come, but I thought I’d share Orion’s cover design for The Demonologist in the UK!

I really like it, though I was at first surprised by its “historical” vibe (the novel is set in the present day).  But then, given the mythological context of the story – Paradise Lost, ancient spirits, original sin – it makes a lot of sense.  Plus Venice is just simultaneously beautiful and haunting and somehow corrupt-looking in a way I love.  I particularly like the font they’ve chosen for the title.  Again, not what I would have expected, but it has a creepiness all its own.

There’s also a couple little visual surprises buried in the image.  Look carefully:  there’s a girl falling from one of the rooftops.  Look carefully again:  there’s a classical demon “face” in the waves of the Grand Canal.

And big thanks to SJ Watson (he of the brilliant Before I Go to Sleep) for the cover blurb!  Here’s the full text of his comment:  “Plenty of books claim to be scary, but this is genuinely terrifying, don’t-read-late-at-night stuff.  Thrilling, compelling and beautifully written, The Demonologist makes Rosemary’s Baby feel like a walk in the park.”  Naturally, that Rosemary’s Baby comparison is particularly gratifying…

(I should add that it’s interesting how completely different the cover is turning out to be for the US and Canada – but more about that another day).

Weirdness

To one degree or another, all of my novels involve the supernatural.  Not explicitly for the most part – they’re not populated by material ghoulies, but rather visited by them peripherally, questionably – but the possibility of the impossible runs through the work, with the intention of dizzying the characters’ relationship to reality as well as the readers’ (if all goes well).  But that’s just to describe what’s happening on the page.  What’s considerably more odd is when the weirdness of the books graduate to the weirdness of readers’ real lives.

It hasn’t happened a lot.  But it has happened.  A reader will write or approach me after I’ve given a reading or talk.  Their eyes are often downcast with embarrassment or, once or twice, widened with real fear.  They will then tell me how something from one of my books has been sighted in their own experience, as though a spirit from the novel has transferred to haunt them.

I don’t want to suggest that this has led to any kind of Amityville Horror-style disruptions or anything.  Nothing actually bad has been triggered.  Usually, it’s just someone thinking they’ve seen a character from The Killing Circle on a Toronto street, or having a vivid dream about The Boy from The Guardians.  Chilling, perhaps, but only mildly freaky from a How-Do-You-Explain-That? point of view.

Until now.

The publication of the new novel, The Demonologist, is still several months off, but there has now been three distinct episodes of higher-grade weirdness reported to me by early readers of the manuscript.  For the first time ever, one of them is me.

I’m actually compiling a little file of these things, as I find it interesting, even if I don’t take it too seriously.  Still, if any more of this kind of stuff goes on I might have to write something about it.  For now, I’ve just been nudged a half-inch closer to wondering about the magical aspects of giving life to stories, where “magical” is intended in the “dark arts” sense and not the Walt Disney, “feel like a carefree kid again” sense.

Breaking and Entering

The late Canadian director, Andrew Hull, died far too young.

Years ago, he optioned a story of mine for adaptation.  Before he passed in 2010, he was almost finished shooting the film, a poetic interpretation of “Breaking and Entering,” from Kiss Me, my first published book.  The film has been completed now by his partner, Shaan Syed, and the Estate of Andrew Hull.

Doubly moving for these circumstances of loss.

Breaking and Entering – A Short Film by Andrew Hull

The Demonologist Goes Greek

There’s another foreign language for The Demonologist:  Greek.  Klidarithmos will translate and publish my novel, and good on them.  Publishing in Greece (anything in Greece) can’t be easy at the moment, and I’m grateful to the commitment they’re making to the novel.  It’s also, thrillingly, the first of my books to be translated into Greek.

Thank you to Liv Stones, Sally Riley and the rest of the foreign language agents fighting the good demonological fight at Aitken Alexander Associates across the pond in London.

The Demonologist in Holland

I’m so happy to report that The Demonologist has its first foreign language sale.  The language is Dutch, and the publisher is Ambo|Anthos, which is my longest-standing publisher, the only one to have published all of my novels.  I really love them and Ambo|Anthos’ great Chris Herschdorfer, whom I’d take a (rubber) bullet for.